#FREE NEVE 1073 PLUGIN 31ST DECEMBER PC#

I didnвЂ™t change the position of the microphone for this track. All the tracks on this album вЂ“ Powerage вЂ“ were in fact recorded with this great Large Diaphragm Condenser microphone. I did record this track with the Neumann U47 FET, just like Down Payment Blues.

The incredible Neve 1073 EQ and preamp from Universal Audio Another image below shows such authentic modules and under it, Universal Audio graphical representation (with workable controls) of such module, including the fader (that you would see further down the module looking at the real console). If you look at the pictures, you will be able to make out the original Neve console at Albert Studios and there, on top rows (just under the VU meters) you will spot the modules vertically inserted into the console. These are all excellent examples of a Neve console sporting the 1073 module or one of its derivatives. If You Want Blood (YouвЂ™ve Got it) was instead only mixed with such console and yet, both guitars still bear clearly its characteristic sound. The Neve 1073 module made the history of rock, nothing short of this very statement, and with AC/DC, you can hear the sound of Neve consoles clearly from the very first album to Highway To Hell, including the incredibly good sounding Powerage, Highway To Hell and even the amazing Let There Be rock (the album, not the movie). Currently, it is necessary to remind the fact that AC/DC are in fact at the Warehouse Studio 2 in Vancouver, Canada, where one of the most stunning Neve consoles still resides to this day. They went on from 1973 to present day using Neve consoles for either tracking or mixing or both.

Since the very beginning, in fact, when at Albert studios the two Young brothers went under the direction of their older brother George, who was already using such Neve console. I must in fact re-stress the fact that the AC/DC kin have been extremely passionate about old Neve consoles for decades. Try both versions and see (hear) if you spot a difference. Not because the API Channel Strip wasnвЂ™t good enough вЂ“ it is excellent, nothing short of amazing really вЂ“ but because the newer plugin that I got emulates what was actually used by George Young & Harry Vanda for a long, long time back then: a Neve 1073 channel strip. Well for me it is night and day difference. Matter of fact, I just bought me another plug-in yesterday, and I implemented it in the mix for this track today (the re-mixed track is now here for you to play the youtube link will give you the older mix). TheyвЂ™re not even that expensive anymore, and I assure you that you can start relying on these for true analog emulation that will give you immense satisfaction.

#FREE NEVE 1073 PLUGIN 31ST DECEMBER PC#

If you have either a Mac or PC with decent power and are serious about recording yourself (not only for the pleasure of hearing yourself back, but because we learn so much more by recording ourselves, a concept that I will be stressing immensely when goes pay-for in the future) you must consider acquiring a few plugins from either (or both). If you even remotely think that I have been doing a decent job in recent years, this was solely possible to me thanks to these plugins вЂ“ Universal Audio and Slate Digital. Do NOT underestimate for any reason these plugins. Having said this, the first version of this take sported a different Console EQ (the wonderful API Vision channel strip from Universal Audio). The tone knob is one of those features that I use daily, both to record and to just rehearse, train, play and mess around. We вЂњOnlyвЂќ have one or a few and we need to be able to use all the features in our guitars. WeвЂ™re not Angus Young, and he has hundreds of SGs anyway. Good thing at last! And remember вЂ“ for you guys that own an Angus Young sig of the second generation, the ones with the lightning bolts вЂ“ to also re-wire the tone knob in that guitar вЂ“ you definitely need it. It is now finally usable as a regular guitar вЂ“ probably just as much as one of my older SGs. By the way, the latter was completely revived with the Powerage pickups. I used the two guitars as I also wanted to throw a vintage SG in the package with the Powerage Pus, not only a newer one (the Angus Young signature #37).

The Powerage pickups seem to be less warm and a bit stiffer than the Manlius, but they do everything the Manlius do as well. I like these pickups much, and along with the Manlius t-tops these are my favourite replica pickups in absolute terms. I played this piece with two guitars, both with David AllenвЂ™s Powerage pickups in them (bridge and neck). Well it is about time to write some details in this white space no?

Free neve 1073 plugin 31st december